To the max

3 min read

No.10

This new-build apartment was just an empty shell until designer Roelfien Vos worked her magic and gave it a bold new layout and look – both of which are amazing

PHOTOGRAPHY THIJS DE LEEUW/SPACE CONTENT STUDIO/LIVING INSIDE

PRODUCTION WILLEMIJN DE LEEUW

SITTING ROOM The wood-effect vinyl wallcovering gives a very mid-century modern feel. And the curves of the mid-century furniture are a playful contrast against the straight edges of the walnut cabinetry with its brass-inlaid seams. Sinabaye Metal wallpaper, Élitis. Try Oliver Bonas’ Luna Mustard Yellow sofa. Rug, Ebru. Lamp with fringes, Fambuena. Coffee table, Duran Interiors. Curtains in fabric by Manuel Canovas. Lady chair by Cassina; upholstered in Janano fabric by Gastón y Daniela at Jane Clayton

HOMETRUTHS

THE PROPERTY A three-storey apartment in a new development

ROOMS Sitting room, den, dining area, kitchen, cloakroom, four bedrooms, four bathrooms

LOCATION Amsterdam

Clashing styles, colours and patterns is not something that deters intrepid interior designer Roelfien Vos. ‘There shouldn’t be any rules,’ she says happily. ‘Mixing colours and prints comes naturally to me. I don’t think you can teach that, but the trick is to ensure that overall an interior remains in tune, despite any bold tones and elements.’ Roelfien’s client bought the Amsterdam apartment as a newly built shell and asked her to design an interior that would reflect their cosmopolitan outlook. ‘The layout was up to us to design,’ explains Roelfien. ‘The first thing we did was to remove the solid wall between the kitchen and hallway and replace it with brass-inlaid glass. Looking through, the staircase now appears to float, which creates a tremendous feeling of space.’

The attention to detail has produced a scheme that works on every level. ‘The architectural detailing deceives people into thinking it’s a historic building,’ says Roelfien. ‘For example, I replicated the steel and brass from the staircase in the railing upstairs to create a connection between the floors. I then repeated shapes: the marble inserts in the railing are mirrored in the hallway mouldings. While I play with materials, shapes and colour, I’m always keen to create a cohesive, connected feeling.’ Throughout the property ceilings were lowered as a way to hide all the tech. Subsequently enhanced with decorative mouldings, a shadow gap is then used to cleverly introduce a seam of illumination that creates the impression of greater height, as well as the key feeling of luxe that Roelfien was after.

KITCHEN A glazed wall offers a view of the staircase. It is inlaid with brass – atheme repeated throughout, providing a sense of continu

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