3 in our elements

FOR DECADES, DIRECTORS HAVE BEEN IMMERSING US IN THE ACTION WITH DAZZLING, REAL-TIME, SINGLE-TAKE SEQUENCES. NOW, WITH THE LIKES OF ADOLESCENCE UPPING THE ANTE, WE FIND OUT WHAT IT TAKES TO CAPTURE AN EPIC ONER

With one last gap in the backscene to fill, George Dent has made progress on another industrial building for his layout project.

John Wade remembers when the shutters finally closed on the British camera industry

It’s easy to take for granted the way in which the ebb, flow and detail of a piece of orchestral music televised from the BBC Proms is reflected in the range of images on our screens. Yet the many hun

Persistence pays off as Benedict Brain battles with his remote trigger on a bus in Malaysia

Chris Nevard scratches a lingering itch by giving one of Model Rail ’s exclusive Ruston & Hornsby ‘PWM’ locomotives a suitably grimy appearance, using water-based paints that can be removed easily if things go wrong.