THE ‘ENDANGERED’ HERITAGE CRAFT OF GLOBE MAKING IS ALIVE AND WELL IN LONDON. KATE YOUDE VISITS THE BELLERBY & CO STUDIO

GARETH PUGH AND CARSON MCCOLL TALK US THROUGH THE PROCESS OF DEVISING DR KELSON’S “ACTUALISED MEMENTO MORI”

There’s a rhythmic tap-tap in Zoë Wilson’s Hampshire studio as she works through the day. She’s equipped with only a mallet, a chisel and the stone in front of her: each chip mark in the stone will fo

Make the most of your stay in Orbis.

Wendy Evans reveals the world of brush selections and layer masking in Affinity Photo 2

Last issue, we pledged that we were making improvements to our 1998 ‘van’s rear lounge, and with the blinds now providing some privacy, we moved on to an upgrade to make it cosier and more practical.