There is much to admire in Andrew Graham-Dixon’s study of Vermeer—but not its tendency to overinterpret the old master’s work “Johannes Vermeer is the most laconic of the Dutch old masters,” Andrew Gr

Exaggerating her beetling monobrow and wispy dark moustache in self-portraits, the artist Frida Kahlo was a female force to be reckoned with, unafraid to pour her heart onto the canvas. Only last autu

The most sensual pictures of women sprang from Ovid’s verses, the Aeneid gave Turner his longest-lasting subject matter and Edward Burne-Jones saw himself in Arthur’s deathless slumber. Carla Passino explores how literature influenced art

When James Watson died on 6th November last year at the age of 97, he was survived by a wife, two sons and a severely tarnished reputation. Watson was one of the world’s most famous scientists, having

When did you first hear about Jeremiah Horrocks? As a child, I saw him and his telescope on the stained-glass windows at St Michael’s Church in Much Hoole, Lancashire. The windows, depicting his groun

From George Stubbs’s golden vision of the labourer’s place in society to Ford Madox Brown’s heroically monumental celebration of manual labour, artists gave individual interpretations of work, as Michael Hall reveals