Let’s play with Photoshop’s hue, saturation and colour tools, says James Abbott, for four effects that work with most images

In this fourth part of our guide to PhotoLab, Wendy Evans looks at the colour options

Forget super-sharp digital, step back in time with ...

Light is photography’s raw ingredient, so James Abbott explains four ways to adjust the luminance using Photoshop

Learn how to create double exposure images in-camera, with Wendy Evans

Forget super–sharp digital; step back in time with classic styles