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I bought your 13 February edition to see Carole Baker’s Reader Portfolio. I was also interested in another article on infrared. A mistake I made with black & white infrared film was to use a handheld meter to work out the filter factor using the visually opaque IR filter, but I was getting grossly over-exposed film. Then the reason dawned; it’s infrared film so it sees infrared; so the filter factor is zero. I tried it out on another roll of film and bingo! This image (above right) of Buckland in Surrey was taken using said black & white IR film.

I also shoot infrared digitally. I take the original colour image, add a black and white layer in Photoshop and use Colour Adjustment sliders to darken the blue, cyan and red to lighten roofs; and yellow green sliders to

I was delighted to see your article on the Russian-made Kiev 4 rangefinder camera. It brought back memories of a fine, well- made camera, though my model was the 4A which incorporated a light meter. My original camera was a Prinzflex 500, which was actually a Zenit SLR. Eventually this was part-exchanged for a new Kiev 4A.

I remember the very distinctive smell of the leather case and the peculiar method of cocking the shutter using a knob rather than a conventional lever.

I eventually had to dispose of it owing to a fault in the shutter, which kept jamming open leaving a white band on the negative caused by overexposure, which leads me into the other reason for writing in. If anyone is interested in getting a used Kiev, whichever model it is, you must cock the shutter first before setting the shutter speed. The reverse method causes damage to the

Julian took this using b&w infrared film
© JULIAN HEATH

lighten foliage. While we have ‘false’ infrared, it is just as effective, and without the grain clumping, typical of infrared film. It also saves spending hundreds converting a camera.

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