Colour slide film

Using 120 film backs, David Clapp explores a cost-effective way of experiencing giant film images with the technical strengths of large format

We love moaning. The raw file won’t open, the firmware update wiped your settings. But spare a thought for the early adopters – when digital photography meant ghostly battery life, media cards that could barely hold a lunch break, colours that made everything look a bit ill. Peter Dench hears from top shooters about those early frustrations and breakthroughs, and adds his own…

DIGITAL 50 YEARS

Three Fujifilm X-T30 users give their verdict

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TIPS & TRICKS With film simulations on ...