Jeremy clarkson

We love moaning. The raw file won’t open, the firmware update wiped your settings. But spare a thought for the early adopters – when digital photography meant ghostly battery life, media cards that could barely hold a lunch break, colours that made everything look a bit ill. Peter Dench hears from top shooters about those early frustrations and breakthroughs, and adds his own…

“It’s Noel on his own because the rest of them weren’t there. I was taken over to Amsterdam to meet them and we flew over on the Friday morning with a PR. We got to the hotel and I said, ‘Where are th

It was a 24/7 existence. The phone did not stop ringing. It was like being on Concorde for six years, and I loved it. The speed at which they went from A-Z was incredible. They did the Marquee, then t

Photographer Martyn Goddard reveals what it was like to shadow Blondie on the cusp of superstardom in 1978

Spotlight on readers’ excellent images and how they captured them

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