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David Clapp shares how he spruced up his woodland scene ready for print
Andy Gray speaks about his visually stunning zine on woodland scenes
James Abbott mimics shooting, editing and even darkroom effects in Photoshop to give his shots a creative finish
Benedict Brain searches his archives for the inspiration to escape winter’s creative doldrum
Digital Camera readers show how they’ve been getting creative, submitting images across a range of genres
Unless you do so exclusively in autumn or winter, painting the landscape in temperate climates will inevitably involve the use of green. If you’re not particularly bothered about realism, it is possib
The inspiration for this painting came in an instant, during a visit to a formal garden. It was a very hot afternoon; the sun was beating down and my eyes needed a rest from the strength of the light.