Why it works

1 min read

Using the 150mm F5.6 lens, the camera was reset and focused. The subject

This article is from...

Amateur Photographer Magazine

Using 120 film backs, David Clapp explores a cost-effective way of experiencing giant film images with the technical strengths of large format

When everything comes together, there’s no better feeling, as Michael Topham experienced in Croatia

Spotlight on readers’ excellent images and how they captured them

Full of noise, colour and flavour, aim to blend in on the streets to immerse yourself in the local culture

Is it time to trade in your 70-200mm f/2.8 for Sony’s latest 50-150mm f/2? Dan Mold finds out

One of Nikon’s last DSLRs, the pro-spec D850 still has a lot to offer, as John Gilbey discovers

Using 120 film backs, David Clapp explores a cost-effective way of experiencing giant film images with the technical strengths of large format

When everything comes together, there’s no better feeling, as Michael Topham experienced in Croatia

Spotlight on readers’ excellent images and how they captured them

Full of noise, colour and flavour, aim to blend in on the streets to immerse yourself in the local culture

Is it time to trade in your 70-200mm f/2.8 for Sony’s latest 50-150mm f/2? Dan Mold finds out

One of Nikon’s last DSLRs, the pro-spec D850 still has a lot to offer, as John Gilbey discovers