Brigitte granton

JEFFREY PRATT’S PAINTINGS ARE BORNE OF TIME AND PATIENCE. He mixes “massive heaps of primary colours softened down to the point where they ‘run off’ a tilted palette,” as a way of capturing how it fee

Sandra Busby classes herself as a painter of ‘playful light in glass and still-life'. She finds the majority of her inspiration within the distortions of light on reflective surfaces and much of the o

Sandra Busby classes herself as a painter of ‘playful light in glass and still-life'. She finds the majority of her inspiration within the distortions of light on reflective surfaces and much of the o

I BEG you to mention this trip to ...

Unlike the shelter of a studio -where the light is steady, the wind absent, and the kettle within reach - there is no such control outdoors. Instead, it offers participation: you don’t simply observe

To me, the most important thing about a painting is why. Why do I want to paint this subject? Is it because the lighting on the subject is wonderful? Is it because I just love the subject? Is it becau