Se tting sun

I’VE BEEN QUITE CAPTIVATED BY URBAN LANDSCAPES LATELY. After completing a small series of paintings around Camden Lock in June – which I dubbed The Great Graffiti Search in my filmed walkthrough episo

Acclaimed landscape artist Sarah Adams shares how the tides, geology and ever-shifting light of the Cornish coast shape her immersive oil paintings

40 years ago, I was first introduced to the art of small scale painting by a friend who painted miniature portraits. With her encouragement and seeing the variety of work at The Royal Society of Minia

I STUDIED AT GOLDSMITHS AND THEN CENTRAL SAINT MARTINs in London, where I was tasked with capturing the energy of the city. These elements of vitality and motion have remained an integral part of my w

BEFORE SARAH JANE BROWN BECAME A PAINTER, she learned to read the sea. Not in the romanticised, windswept sense; but practically, viscerally, day after day. With over two decades working on the water

The warm yellow glow of the golden hour – the brief period of time just before the sun sets or just after it rise – never fails to evoke some combination of awe, quiet reflection, nostalgia, tranquili