Beach life

It’s hard to define what it is about a subject that makes you chose it as a starting point. This painting of a cat is an interesting example. Animals are not my usual subject matter but as soon as I s

BEFORE SARAH JANE BROWN BECAME A PAINTER, she learned to read the sea. Not in the romanticised, windswept sense; but practically, viscerally, day after day. With over two decades working on the water

Acclaimed landscape artist Sarah Adams shares how the tides, geology and ever-shifting light of the Cornish coast shape her immersive oil paintings

40 years ago, I was first introduced to the art of small scale painting by a friend who painted miniature portraits. With her encouragement and seeing the variety of work at The Royal Society of Minia

I want to pass on my expressive approach to painting still lifes from observation using mixed media. I find this way of working freeing and fun. When a painting is started with an attitude of freedom

I’VE BEEN QUITE CAPTIVATED BY URBAN LANDSCAPES LATELY. After completing a small series of paintings around Camden Lock in June – which I dubbed The Great Graffiti Search in my filmed walkthrough episo