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TERENCE CLARKE paints an inviting holiday scene in oil and acrylic back at his studio
THIS VIEW – ACROSS BITELL LAKE IN WORCESTERSHIRE – had obvious painting potential, and though I had walked here before, the snow and the light gave me an immediate feeling of drama and structure. It’s
I LOVE TO WATCH A ROUGH SEA, especially in winter. There is something mesmerising about the rhythmic movement. This sheer power rejuvenates the mind, filling you with awe – it is uplifting and almost
EN PLEIN AIR ARTISTS are deeply connected to the changing seasons, continually inspired by how nature’s transformations shape their subjects. The onset of autumn in Southern France, for example, trans
From the rugged cliffs of Shetland to the coves of Cornwall, artist Sarah Hutt travels our coastline, capturing its wild beauty
I AM USUALLY DRAWN TO PORTRAITURE in my studio practice, but recently I wanted a subject that might push me in a different direction and challenge me. The answer came, unexpectedly, from something as
You will learn Painting winter light effectively Applying texture using tools Balancing variety with clarity The painting Morning Light at Marple Locks was born from one of those early winter mornings