Victoria obolensky

BEFORE SARAH JANE BROWN BECAME A PAINTER, she learned to read the sea. Not in the romanticised, windswept sense; but practically, viscerally, day after day. With over two decades working on the water

FEATURE NICKY RAMPLEY-CLARKE Jo’s designs are inspired ...

LUCIA LEYFIELD IS NOT AN ARTIST prone to grand statements. Her work speaks in subtle tones: sketchbook pages filled with weathered doorways, overheard conversations or fragments of wild gardens. A let

What paints do you favour and why? I use mostly Golden Heavy Body or Fluid Acrylics. The colour is phenomenal and much stronger than other makes. Mixed media technique is another favourite: I can incl

WITH more than a hint of nerves, I slide into an empty seat in the auditorium for my first university lecture. I look down the aisle hoping to see a friendly face, but there is no-one I recognise, whi

THOMAS W SCHALLER IS AN INTERNATIONALLY-ACCLAIMED WATERCOLOUR ARTIST based in New York. He is the winner of numerous awards, including from the Institute of Classical Art and Architecture, the America