We present... lea laboy

To me, the most important thing about a painting is why. Why do I want to paint this subject? Is it because the lighting on the subject is wonderful? Is it because I just love the subject? Is it becau

It’s a sunny summer afternoon in a verdant corner of the Essex countryside. A pretty pastoral landscape lies before us, with cattle sheltering in the shade of oak trees, rolling green fields, and a gr

Sandra Busby classes herself as a painter of ‘playful light in glass and still-life'. She finds the majority of her inspiration within the distortions of light on reflective surfaces and much of the o

Sandra Busby classes herself as a painter of ‘playful light in glass and still-life'. She finds the majority of her inspiration within the distortions of light on reflective surfaces and much of the o

Unlike the shelter of a studio -where the light is steady, the wind absent, and the kettle within reach - there is no such control outdoors. Instead, it offers participation: you don’t simply observe

Unlike the shelter of a studio -where the light is steady, the wind absent, and the kettle within reach - there is no such control outdoors. Instead, it offers participation: you don’t simply observe