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A multidisciplinary printmaker, working almost exclusively on representing the female
I knew at a very young age I was an artist. It was a calling for me. I was also fortunate to have a mentor in my teenage years; he was an accomplished artist and professor of art at a local college. H
FEATURE NICKY RAMPLEY-CLARKE Jo’s designs are inspired ...
LUCIA LEYFIELD IS NOT AN ARTIST prone to grand statements. Her work speaks in subtle tones: sketchbook pages filled with weathered doorways, overheard conversations or fragments of wild gardens. A let
WITH more than a hint of nerves, I slide into an empty seat in the auditorium for my first university lecture. I look down the aisle hoping to see a friendly face, but there is no-one I recognise, whi
There are many reasons that an artist’s ambitions can be thwarted, including the decision to become a teacher. Later this month, an exhibition will shine a light on talent obscured by a career in the classroom
BEFORE SARAH JANE BROWN BECAME A PAINTER, she learned to read the sea. Not in the romanticised, windswept sense; but practically, viscerally, day after day. With over two decades working on the water