Bryan mark taylor

How do you balance the realistic and stylistic in a painting? I like to combine realistic depictions of a landscape with stylistic flourishes that make it a personal vision. My imagery is a visual dia

WITH more than a hint of nerves, I slide into an empty seat in the auditorium for my first university lecture. I look down the aisle hoping to see a friendly face, but there is no-one I recognise, whi

THOMAS W SCHALLER IS AN INTERNATIONALLY-ACCLAIMED WATERCOLOUR ARTIST based in New York. He is the winner of numerous awards, including from the Institute of Classical Art and Architecture, the America

I knew at a very young age I was an artist. It was a calling for me. I was also fortunate to have a mentor in my teenage years; he was an accomplished artist and professor of art at a local college. H

BEFORE SARAH JANE BROWN BECAME A PAINTER, she learned to read the sea. Not in the romanticised, windswept sense; but practically, viscerally, day after day. With over two decades working on the water

40 years ago, I was first introduced to the art of small scale painting by a friend who painted miniature portraits. With her encouragement and seeing the variety of work at The Royal Society of Minia