Eye contact

Every painting’s varying subject matter and scale offers us distinct opportunities and challenges. Before I start any project, I like to consider what I want to convey, what opportunities and challeng

Into the white - negative painting for dramatic brightness This time I am looking at uses of ‘white’ paper in a painting to suggest a light source, exploiting the benefits of light bouncing back from

Into the white - negative painting for dramatic brightness This time I am looking at uses of ‘white’ paper in a painting to suggest a light source, exploiting the benefits of light bouncing back from

I STRUGGLED INTO MY LAYERS, picked up my light sketching kit and off I went up into the hills behind where I live. I wasn’t the first to arrive; halfway up the hill I could already hear the cries of e

THIS PORTRAIT BEGAN LIFE as a pile of old magazines: pages full of colour, text and typography just waiting to be reimagined. I’ve always loved how collage can transform the ordinary into something co

Awash is a fundamental watercolour technique and so it makes sense to start these twelve articles by delving into their beauty with a look at how they are created and interact with one another to buil