Skyfall

‘The real subject of every painting is light.’ CLAUDE MONET WHENEVER I’M PAINTING A PIECE, I am constantly appraising each movement, blend and nuance along the way. When you break it down, the number

Sometimes the sky in your painting can be quite plain and isn’t meant to be a major part of the subject matter. On other occasions, however, it may be the subject itself or create drama and contrast i

SOMETIMES THE INSPIRATION FOR YOUR NEXT PAINTING can be right in front of you – literally. Trying to find the correct subject with great lighting and composition is quite an art: a lot of images won’t

In my opinion, British summers are rather fantastic, especially when spent in a garden. Even if you’re not naturally green-fingered, being a painter gives you a wonderful opportunity to enjoy and enga

This second article further explores the idea of using subtle drip marks to form atmospheric structures in paintings, which we saw in last month’s edition. Paint drips can be encouraged into wonderful

Extremes in dark and light are effective tools in creating punchy focal points. I have painted lots of sunny, acrylic street scenes – mainly backlit – and really enjoyed dabbing in the sparkly highlig