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TERENCE CLARKE captures the essence of a French bay in oil and acrylic
It’s hard to define what it is about a subject that makes you chose it as a starting point. This painting of a cat is an interesting example. Animals are not my usual subject matter but as soon as I s
Painting a street scene in acrylics can be tricky, as you contend with rapid drying times and trying to capture too much detail. If your pictures look flat or confused, try to remember that acrylic su
DRAWING IS GENERALLY where your practical artistic journey begins. A pencil or pen and a sheet of paper is all you need to doodle away. Outlines clarify information, making it easy to access the infor
I want to pass on my expressive approach to painting still lifes from observation using mixed media. I find this way of working freeing and fun. When a painting is started with an attitude of freedom
BEFORE SARAH JANE BROWN BECAME A PAINTER, she learned to read the sea. Not in the romanticised, windswept sense; but practically, viscerally, day after day. With over two decades working on the water
I’VE BEEN QUITE CAPTIVATED BY URBAN LANDSCAPES LATELY. After completing a small series of paintings around Camden Lock in June – which I dubbed The Great Graffiti Search in my filmed walkthrough episo