Making marks

I STRUGGLED INTO MY LAYERS, picked up my light sketching kit and off I went up into the hills behind where I live. I wasn’t the first to arrive; halfway up the hill I could already hear the cries of e

Every painting’s varying subject matter and scale offers us distinct opportunities and challenges. Before I start any project, I like to consider what I want to convey, what opportunities and challeng

Into the white - negative painting for dramatic brightness This time I am looking at uses of ‘white’ paper in a painting to suggest a light source, exploiting the benefits of light bouncing back from

Into the white - negative painting for dramatic brightness This time I am looking at uses of ‘white’ paper in a painting to suggest a light source, exploiting the benefits of light bouncing back from

SOMETIMES MAKING LIFE SIMPLER FOR YOURSELF and avoiding overthinking a process gets you further. In painting terms, using flat colours does exactly that and it may even prove to hold the key to more c

Old buildings tumbling into decay have always fascinated me as a painting subject, and adding that time-worn, tatty appearance can infuse your work with an extra dimension that will increase its appea