Wet wexford ramble

I STRUGGLED INTO MY LAYERS, picked up my light sketching kit and off I went up into the hills behind where I live. I wasn’t the first to arrive; halfway up the hill I could already hear the cries of e

THIS PORTRAIT BEGAN LIFE as a pile of old magazines: pages full of colour, text and typography just waiting to be reimagined. I’ve always loved how collage can transform the ordinary into something co

SOMETIMES MAKING LIFE SIMPLER FOR YOURSELF and avoiding overthinking a process gets you further. In painting terms, using flat colours does exactly that and it may even prove to hold the key to more c

Every painting’s varying subject matter and scale offers us distinct opportunities and challenges. Before I start any project, I like to consider what I want to convey, what opportunities and challeng

Old buildings tumbling into decay have always fascinated me as a painting subject, and adding that time-worn, tatty appearance can infuse your work with an extra dimension that will increase its appea

Awash is a fundamental watercolour technique and so it makes sense to start these twelve articles by delving into their beauty with a look at how they are created and interact with one another to buil