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British Art Club member ROSEANNA CHE
‘The real subject of every painting is light.’ CLAUDE MONET WHENEVER I’M PAINTING A PIECE, I am constantly appraising each movement, blend and nuance along the way. When you break it down, the number
The following demonstration puts an emphasis on practising several acrylic techniques. Enjoy working through these exercises in your sketchbook before you begin the demonstration painting in earnest.
Extremes in dark and light are effective tools in creating punchy focal points. I have painted lots of sunny, acrylic street scenes – mainly backlit – and really enjoyed dabbing in the sparkly highlig
A lot of people who are very good painters still hanker for a looser, more abstract approach to painting landscapes, but how do you stop yourself from wanting to copy every detail of your source photo
I often see raised eyebrows when I mention that I love using soft pastels in my sketchbook. Watercolours are a popular choice, being portable and easy to use, but pastels and pastel pencils feel more
In my opinion, British summers are rather fantastic, especially when spent in a garden. Even if you’re not naturally green-fingered, being a painter gives you a wonderful opportunity to enjoy and enga