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In his fourth and final instalment on working with watercolour, t
ARCHITECTURE HAS ALWAYS been of great interest to me. There are many buildings that I have admired for years and their complicated shapes, angles and perspectives all lend themselves to the challenge
I’VE COME FROM A VERY TECHNICAL BACKGROUND. When I started getting busier and time spent on artwork became much more precious, I began looking for ways to streamline the process without losing the pre
WITH THE SUMMER LANDSCAPE PAINTING SEASON upon us, this is a great time to consider palette choices, new colour additions and expression in brushwork for our landscapes. Choosing a palette of oil colo
In this new series of articles I will be painting six landscapes encouraging you to embrace semi-abstract mark making and supercharge your watercolours. I begin by painting a large area of dark cloud
With its vast array of techniques, an often rebellious nature and the difficulties in rescuing an artistic aberration, watercolour painting often tends to put off the inexperienced painter, so my aim
