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OKSANA ABDUKADYROVA is a London-base
I like to work from photos, especially when the subject is tiny and might move. Photos also have the benefit of capturing exactly how light was falling on a subject in a given moment. To make the pain
I’VE COME FROM A VERY TECHNICAL BACKGROUND. When I started getting busier and time spent on artwork became much more precious, I began looking for ways to streamline the process without losing the pre
As a young girl, Polly Nicolaou was almost always to be found with her playthings under the kitchen table, such that her uncle would often sing, using her middle name: “Polly Mabel, under the kitchen
ARCHITECTURE HAS ALWAYS been of great interest to me. There are many buildings that I have admired for years and their complicated shapes, angles and perspectives all lend themselves to the challenge
WITH THE SUMMER LANDSCAPE PAINTING SEASON upon us, this is a great time to consider palette choices, new colour additions and expression in brushwork for our landscapes. Choosing a palette of oil colo
In this new series of articles I will be painting six landscapes encouraging you to embrace semi-abstract mark making and supercharge your watercolours. I begin by painting a large area of dark cloud