Magdalena starzyńska

BEFORE SARAH JANE BROWN BECAME A PAINTER, she learned to read the sea. Not in the romanticised, windswept sense; but practically, viscerally, day after day. With over two decades working on the water

LUCIA LEYFIELD IS NOT AN ARTIST prone to grand statements. Her work speaks in subtle tones: sketchbook pages filled with weathered doorways, overheard conversations or fragments of wild gardens. A let

How do you balance the realistic and stylistic in a painting? I like to combine realistic depictions of a landscape with stylistic flourishes that make it a personal vision. My imagery is a visual dia

What paints do you favour and why? I use mostly Golden Heavy Body or Fluid Acrylics. The colour is phenomenal and much stronger than other makes. Mixed media technique is another favourite: I can incl

Acclaimed landscape artist Sarah Adams shares how the tides, geology and ever-shifting light of the Cornish coast shape her immersive oil paintings

THOMAS W SCHALLER IS AN INTERNATIONALLY-ACCLAIMED WATERCOLOUR ARTIST based in New York. He is the winner of numerous awards, including from the Institute of Classical Art and Architecture, the America