We present...

Unlike the shelter of a studio -where the light is steady, the wind absent, and the kettle within reach - there is no such control outdoors. Instead, it offers participation: you don’t simply observe

Unlike the shelter of a studio -where the light is steady, the wind absent, and the kettle within reach - there is no such control outdoors. Instead, it offers participation: you don’t simply observe

Objects and props, theatrical lighting and the hint of hidden narratives mark an evolution in Michael Alford’s approach to painting the female nude. With an abiding interest in depicting human figures

Objects and props, theatrical lighting and the hint of hidden narratives mark an evolution in Michael Alford’s approach to painting the female nude. With an abiding interest in depicting human figures

John Piper was a modernist who rejected Modernism, a versatile artist who defied categories, but one who remained true to the spirit and detail of the places he painted

Years ago, my eyes were opened to the economy and power of watercolour when I saw ‘View from Monte Mario of the River Tiber’ by Claude Lorrain in the British Museum. You can still relive the energy an