“in times of political volatility, it’s more vital than ever that we tell women’s stories”

It has become fashionable today for critics of major western museums to call for a ‘reckoning’ or ‘coming to terms’ with the imperialist and racist histories of some institutions. This approach is roo

I n 1492, Columbus sailed the ocean blue. That, at least, is what the famous rhyme tells us. Memorising such dates is a common experience of being taught history – a cliché superbly lampooned by the w

DURING A TIME OF RAPID DISRUPTION, A RISING COMMUNITY OF WOMEN ARE RETHINKING THE FUTURE OF THE ART WORLD IN IMAGINATIVE AND EXCITING WAYS. FRIEZE DIRECTOR EVA LANGRET INTRODUCES THE ARTISTS AND BEHIND-THE-SCENES POWER PLAYERS TO KNOW

The Story of Tudor Art: A History of Tudor ...

WHAT are we doing here, Mum?” Navleen demanded. She gazed at the statues looming down at her from their plinths in London’s Parliament Square. It was half term and her mother, Simrat, had decided that

War art is often associated with male heroics – sketches dashed off under fire, or epic battlefield paintings filled with flags and explosions. Yet the value of women’s war art is that it helps captur