Kazuki yamada

Kahchun Wong remembers vividly the moment it happened. ‘With an orchestra, you know it when it clicks, when there is a chemistry,’ he recalls. ‘I went to the first rehearsal without any expectation. I

Why we need orchestras

‘A, whom you want, signs to play at your concert. He sends B (whom you don’t mind) to the first rehearsal. B, without your knowledge or consent, sends C to the second rehearsal. Not being able to play

Kammerorchester Basel/Giovanni Antonini Alpha ALPHA1092 76:29 mins The most familiar of the symphonies here, if only because it has a nickname, is No. 55, whose ‘Schoolmaster’ title arises out of the

Works by Bach, Vivaldi and Marcello Amandine Beyer (violin); Gli Incogniti Harmonia Mundi HMM90276970 134 mins The communicative warmth and infectious vitality of Amandine Beyer’s performances will ha

National Symphony Orchestra/ Gianandrea Noseda NSO NSO0022 75:12 mins Mahler’s mad-cap Seventh is the toughest of his symphonies to conceptualise and to execute. Lacking any explicit programme, two of