A slave no more

Trumpeter Alison Balsom has revealed that her recent appearance at the 2025 Last Night of the Proms was her final public performance. During an interview for BBC Radio 4’s This Cultural Life shortly b

Musical instruments have power, simply as things. They speak. They generate emotion. They tell stories about life, death, happiness and sadness – and about the past, which they can resurrect with curi

Is there a special sorcery in Seoul? Cunning creativity in Canada? Preternatural pizzazz in Paris? Oh, why do so many great pianists come from this or that country? We even have some in Britain; is th

Jan Smaczny is enthralled by Isabelle Faust’s unique approach to the demanding material of Bach’s little-known violin works JS Bach Sonatas for Violin and Continuo Isabelle Faust (violin); Kristin von

Had Tchaikovsky had his way, his The Tempest might not actually have had a tempest in it at all. As he first pondered his Shakespearean fantasy-overture in early 1873, the Russian composer considered

Just two decades after the premiere of George Gershwin’s Porgy and Bess, the Soviet Union paid a New York opera company to stage performances there. The year was 1956 and the Cold War was well underwa