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THE LISTENING SERVICE
There’s nothing like Ravel’s Boléro: just two tunes, r
Lidy Blijdorp; Tobias Borsboom Channel Classics CCS47726 65:29 mins Using the recording genre creatively is an art in itself. What can it offer that perhaps a live concert cannot? I think it allows mo
Yunchan Lim (piano) Decca 4871517 77 mins That Yunchan Lim is a remarkable pianist is self-evident in everything he plays. But let’s hope he doesn’t pay too much heed to the hype his singular talent a
Inspired by the Walter Scott novel, Berlioz’s Rob Roy of 1831 celebrates the Jacobite outlaw in a 15-minute overture for orchestra. Though he liked the main melody enough to re-use it in Harold in Ita
2025 marked the centenary of Erik Satie’s death, an event honoured by commemorations around the globe, including series of concerts, workshops, exhibitions and guided tours in his birthplace of Honfle
Berlin Philharmonic/Kirill Petrenko Berliner Philharmoniker BPHR250561 56 mins Kirill Petrenko’s early career stint at the Meiningen Court Theatre, a place indelibly associated with Brahms, laid the f
In December 1838, a few days after Berlioz had conducted a concert of his own works that included Harold in Italy, a four-movement ‘symphony with principal viola’, the composer found that his bank bal