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Harnessing social media’s power is crucial for classical music’s survival
As I wa
I enjoyed reading Francesco Piemontesi’s Concert Heaven, Concert Hell interview (September) about his ‘best’ and ‘worst’ performance... in the semi-final of the Elisabeth Competition in 2007! In fact,
Liza Lim A Sutured World*; Mary**; The Compass^ *Nicolas Altstaedt (cello), **^Carin Levine (flute), **^William Barton (digeridoo); Bavarian Radio Symphony Orchestra/*Edward Gardner; **Franck Ollu;^ C
Tine Thing Helseth is nothing if not multi-talented. First and foremost, she’s one of the world’s leading trumpet soloists, renowned for her eloquent lyricism and impressive virtuosity. But she’s also
Podcasts... from Caligula to the counter-culture Which ...
I’m a scientist by nature and have been since the age of five when my dad bought a set of encyclopaedias that had a section on the stars and planets. From that point on I was hooked by the wonders of
No matter how famous a composer is in their lifetime, their fate is decided after they die. Will their style fall quickly out of fashion? Was enough of their music published to make it possible to per