Kit armstrong

There’s a trepidatious growl from the contra-bassoon. Soon, it is joined by French horns, strings and timpani; the sound rumbles, snowballs – and then: abrupt silence. The piano sings into the stillne

Some years ago, Colin Matthews – a lifelong Londoner – bought himself a composing retreat on the Somerset/ Dorset borders and half-seriously confessed to fears that the view of cows from his windows ‘

The unconventional instrumentation favoured by Tortoise is an indicator of how many different lineups have always jostled for space under the jazz umbrella. The national treasure that is The Pete Alle

‘Searching for music is like searching for God… there’s an effort to reclaim the unmentionable, the unsayable, the unseeable, the unspeakable.’ So reckoned the great David Bowie, and few have ‘searche

When the first pianos made it to India around the 18th century, during the heyday of the East India Company, their usage was confined to British colonisers and a small minority of aristocratic Indians

After the premiere of his orchestral piece Coptic Light in 1986, Morton Feldman was described by an irate American critic as ‘the most boring composer in the history of music’. Listeners coming to his