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Alexandra Wilson enjoys Jonathan Tetelman’s disti
However highbrow we think we are, we’ve all been guilty of it – that is, sitting in a concert or opera and waiting impatiently for ‘the famous bit’. In some instances, that well-known moment may be ju
Robert Thicknesse on Opera ● ON THE FACE ...
Opera: Dead Man Walking Coliseum, London WC2 (020-7845 ...
Rachmaninov himself at the piano, recorded in 1929, is bound to remain a benchmark, even after nearly a century. Like many performers at the start of the recording era, Rachmaninov was microphone-shy
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Jonathan Gaisman is a KC and a writer on cultural topics