Richard morrison

Norman Lebrecht on Music

Just two decades after the premiere of George Gershwin’s Porgy and Bess, the Soviet Union paid a New York opera company to stage performances there. The year was 1956 and the Cold War was well underwa

Everything We Do Is Music – How 20th-Century Classical Music Shaped Pop Elizabeth Alker Faber 304pp (hb) £20 The concept behind Elizabeth’s Alker’s book is spelled out in the subtitle: ‘How 20th-Centu

In Humoresque (1946), John Garfield plays a virtuoso violinist. By then, Garfield was an Oscar-nominated actor, but he was no violinist. That said, his ‘performances’ are pretty convincing. Why? Becau

Having first attended a concert by Pavarotti (cover profile; October) in Toronto in 1975, over the following years I went to a number of recitals by him, the last one being in 1990. I was working in t

For many critics and fans alike, Alfred Brendel was the ‘thinking man’s pianist’. A truly iconic figure, the man with inquisitive eyes and a secret smile peered out from the covers of CD-box sets by B