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As we say goodbye to a tough year, what do we hope for music in 2024?
Claire Jackson’s opinions on Brahms (Hero or Hype?; August) resonated with me. I studied his First Symphony for O-Level, and his Fourth for A-Level. Then at college, my piano teacher insisted I learn
The arts sector has long been unthinkingly in thrall to the supposedly “progressive” left but a coherent, coordinated, conservative strategy could, and should, shift the consensus
Jacob Collier is on stage with the Britten Sinfonia, in a packed-out concert hall. We’ve already been treated to a freewheeling, virtuosic and wildly joyful programme, ranging from Bob Dylan to scat-s
Jonathan Gaisman is a KC and a writer on cultural topics
Classical music has a problem with perfection. You’d have thought the most important job of any professional musician was learning, playing and repeating the notes composers wrote down so often that t
Rufus Bird says rumours of a market decline are overstated