Richard morrison

For many critics and fans alike, Alfred Brendel was the ‘thinking man’s pianist’. A truly iconic figure, the man with inquisitive eyes and a secret smile peered out from the covers of CD-box sets by B

Everything We Do Is Music – How 20th-Century Classical Music Shaped Pop Elizabeth Alker Faber 304pp (hb) £20 The concept behind Elizabeth’s Alker’s book is spelled out in the subtitle: ‘How 20th-Centu

‘What Americans call safe music bores me,’ declared Michel Legrand in a 2005 interview, in which he reflected on the high profile he had achieved as one of the world’s leading film composers. ‘If you’

Had Tchaikovsky had his way, his The Tempest might not actually have had a tempest in it at all. As he first pondered his Shakespearean fantasy-overture in early 1873, the Russian composer considered

Having first attended a concert by Pavarotti (cover profile; October) in Toronto in 1975, over the following years I went to a number of recitals by him, the last one being in 1990. I was working in t

Jan Smaczny is enthralled by Isabelle Faust’s unique approach to the demanding material of Bach’s little-known violin works JS Bach Sonatas for Violin and Continuo Isabelle Faust (violin); Kristin von