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The summer of 1791 was an exceptionally busy period, even by Mozart’s habitually hardworking standards. He was, to begin with, composing a new opera, Die Zauberflöte (‘The Magic Flute’). Then, in June
Joseph Haydn looked every bit the European celebrity on the night of 4 May 1795. Newly opened in 1791 after a fire, the King’s Theatre glowed in the brilliant flicker of candle chandeliers. At the fro
‘Dear Mr Grieg: I am writing to you in connection with a plan that I propose to implement, and in which I wish to invite your participation.’ The tone is impeccably formal and business-like, but the l
On one level he seems so direct, so simple, so uncomplicatedly appealing. Schubert could turn on heart-lifting melody with the same ease that most of us would turn on a tap. Often he seems happy just
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Cezanne 25 at Aix-en-Provence