Europe
Asia
Oceania
Americas
Africa
We recommend five further works to explore after Fauré’s Requiem
However highbrow we think we are, we’ve all been guilty of it – that is, sitting in a concert or opera and waiting impatiently for ‘the famous bit’. In some instances, that well-known moment may be ju
On one level he seems so direct, so simple, so uncomplicatedly appealing. Schubert could turn on heart-lifting melody with the same ease that most of us would turn on a tap. Often he seems happy just
Music | Opera | Pop | Theatre Cinema |TV |Radio |Podcasts |Art | Architecture
The summer of 1791 was an exceptionally busy period, even by Mozart’s habitually hardworking standards. He was, to begin with, composing a new opera, Die Zauberflöte (‘The Magic Flute’). Then, in June
Rachmaninov himself at the piano, recorded in 1929, is bound to remain a benchmark, even after nearly a century. Like many performers at the start of the recording era, Rachmaninov was microphone-shy
Dame Joan Sutherland managed things to her customary perfection: a gala goodbye before an adoring Covent Garden audience on New Year’s Eve 1990, 35 years ago. Pavarotti and Marilyn Horne joined in the
