Pictureperfect

After the premiere of his orchestral piece Coptic Light in 1986, Morton Feldman was described by an irate American critic as ‘the most boring composer in the history of music’. Listeners coming to his

There’s a trepidatious growl from the contra-bassoon. Soon, it is joined by French horns, strings and timpani; the sound rumbles, snowballs – and then: abrupt silence. The piano sings into the stillne

There was once a time when native New Yorkers like Aaron Copland and Ferde Grofé composed odes to the American West; when Europeans like Darius Milhaud and Frederick Delius extolled the deep South; an

Some years ago, Colin Matthews – a lifelong Londoner – bought himself a composing retreat on the Somerset/ Dorset borders and half-seriously confessed to fears that the view of cows from his windows ‘

Yet, given the dark and often introverted nature of the concerto, it’s hardly surprising that Shostakovich kept the work under wraps for so long, feeling that programming it was inadvisable until the

The unconventional instrumentation favoured by Tortoise is an indicator of how many different lineups have always jostled for space under the jazz umbrella. The national treasure that is The Pete Alle