Instrumental choice

Rachmaninov himself at the piano, recorded in 1929, is bound to remain a benchmark, even after nearly a century. Like many performers at the start of the recording era, Rachmaninov was microphone-shy

Jonathan Gaisman is a KC and a writer on cultural topics

However highbrow we think we are, we’ve all been guilty of it – that is, sitting in a concert or opera and waiting impatiently for ‘the famous bit’. In some instances, that well-known moment may be ju

Since winning the Royal Philharmonic Society’s Young Artist Award in 2016, Clare Hammond has established herself as one of Britain’s most adventurous pianists. A graduate of Cambridge University and t

On one level he seems so direct, so simple, so uncomplicatedly appealing. Schubert could turn on heart-lifting melody with the same ease that most of us would turn on a tap. Often he seems happy just

At a glance, the young pianist appears frozen in time, a still portrait quite at odds with the dancing carnival of sound that fills the KKL Luzern. The months pass by, and February’s ebullience bows t