A spellbinding premiere preserved

Lidy Blijdorp; Tobias Borsboom Channel Classics CCS47726 65:29 mins Using the recording genre creatively is an art in itself. What can it offer that perhaps a live concert cannot? I think it allows mo

Berlin Philharmonic/Kirill Petrenko Berliner Philharmoniker BPHR250561 56 mins Kirill Petrenko’s early career stint at the Meiningen Court Theatre, a place indelibly associated with Brahms, laid the f

Yunchan Lim (piano) Decca 4871517 77 mins That Yunchan Lim is a remarkable pianist is self-evident in everything he plays. But let’s hope he doesn’t pay too much heed to the hype his singular talent a

Le Concert des Nations; La Capella Nacional de Catalunya/Jordi Savall Alia Vox AVSA9965 66:27 mins Jordi Savall’s recording of Mozart’s Great Mass in C minor is not just another attempt to tidy up an

Antoine Tamestit (viola) Les Musiciens du Louvre-Grenoble/ Marc Minkowski Naive V5266 The famous Scottish violist William Primrose made the first ever studio recording of Harold in Italy with the Bost

Joyce DiDonato (mezzo), Time for Three Platoon PLAT29101 65:05 mins Is it a song cycle? An opera? Musical theatre? Kevin Puts’s new work Emily – No Prisoner Be, based on texts by Emily Dickinson, is a