Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson

RUTH climbed the narrow path to Windlow Hill. She had a canvas bag in one hand and her mother’s old cardigan tucked under the other. Below, the village looked almost as it had in her childhood – white

TO Jon’s surprise, Mr Pringle agreed to speak to him in the snug. Once they were seated there, Jon spoke quietly. “I’m a stranger here, and I want to keep an open mind. “So it would help if you could

It looked like a bleak Christmas for all – until Becky had a bright idea

Squeeze ’s songwriting duo are back in harness, toting a rock opera they wrote in the ’70s with an all-new album to come. Given their near-constant strife, it’s a miracle. But as they insist, “the thing that always brings us together is the songs…”

Tara stared blankly at the Christmas tree. The fir was a last-minute purchase from the garden centre. She hadn’t decided whether to decorate it. In the armchair opposite hers, where Hugh would normall