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The grand parade of lifeless packaging? Far from it, as this much-delayed blockbuster reissue of one of prog’s most fascinating and frustrating albums finally proves.

D avid Bowie’s first album of the 1980s was a milestone record for many reasons. It was his last to be co-produced with collaborator Tony Visconti for more than 20 years, his swansong for RCA and for

‘Magnifique’, B-side A B-side cut from the first Scissor Sisters album, this track is a manifesto for the band’s approach to pop music. A high-camp and flirtatious description of a handsome piece of t

We had to be in a hurry, before some other fucker got there first.” Right there in Gary Kemp’s statement is the ethos for why Spandau Ballet were the first group to help define the 80s, becoming the h

WITHOUT A SINGLE doubt, the most familiar character in heavy metal, the late Ozzy Osbourne, was presented to the public as a madman, a maniac and a court jester whose life was a constant ricochet from

Suede Antidepressants BMG The Suede resurgence ...