King of pain

“I used to watch a lot of telly as a kid,” says Jarvis Cocker, relaxing on a sofa in the meeting room at Rough Trade Records HQ in Notting Hill. “It would give me a representation of the world that wa

Deep inside his London studio, BRIAN ENO is busy bringing “playful” experimental strategies to the studio graft – as his new collaborative albums with conceptual artist Beatie Wolfe attest. But, over pastries, an uncharacteristically digressive Eno finds time to discuss Scott Walker’s voice, communal living with Harmonia, mid-‘60s ‘happenings’ and his deep enthusiasm to create anew. “I’m sorry to be so shamelessly enthusiastic about my work,” he tells Tom Pinnock

As tickets went on sale for Gene’s first live show in more than 20 years, Martin Rossiter didn’t know whether he should be feeling excited or terrified. “My levels of hope were swinging, pendulum-like

Reeling from illness and uncertain times, Skunk Anansie ’s future hung in the balance. But with new album The Painful Truth, they “stood on top of the cliff, held hands and jumped into the clouds”.

The Dead Daisies Lookin’ For Trouble SPV ...

When the Irish band were a folksy blues three-piece, it was Eric Bell who defined Thin Lizzy on their 1971 self-titled debut and early 70s follow-ups, Shades Of A Blue Orphanage and Vagabonds Of The Western World