The style council modernism: a new decade

The Fateful Symmetry MUTE 7/10

Celine Dion, a tree made of coat hangers, Crufts… Thirty years after the startling experiments of Tilt defined SCOTT WALKER ’ s latter-day career, his collaborators reveal all about the idiosyncratic working practices that took him from teen idol to avant-garde hero. “It was almost like a rejection of his past,” one eyewitness tells Rob Hughes. “Almost like anti-music.”

November 1989: inside a Manchester warehouse, guitarist John Squire is busy pouring cans of paint over himself and the rest of his band, The Stone Roses. Suddenly, he stops. “We’ve been stitched up he

Thirty years ago, Marillion released their final album on EMI, their first not to reach the UK Top 10. Afraid Of Sunlight has since been hailed as one of the band’s greatest recordings, but tragedy lay at its heart, even though it kickstarted their career as one of the most successful independent groups. The band recall the challenging times that threatened their career and, at times, their sanity.

PROLIFIC SONGWRITER BOB Mould is a reluctant generational icon. Sure, he’s proud of his musical accomplishments and realizes he has been a major inspiration for a wide range of mainstream acts, includ

In August 1991, Oasis played their debut gig at the Boardwalk club in Manchester – Noel Gallagher was in attendance to see his younger brother’s band, which he would soon join, assuming control over t