Europe
Asia
Oceania
Americas
Africa
THE FEELGOOD GENRE THAT DOESN’T TAKE ITSELF TOO SERIOUSLY
STEVE O'BRIEN
The accessibility, affordability and portability of synthesizers in the late 70s had a profound effect on popular music, particularly in the UK, where the likes of Ultravox!, Gary Numan and OMD reshap
Chances are, if you went clubbing in 2001 and weren’t strutting your stuff at the local indie fleapit, that you were sweating it over Peaches’ Fuck The Pain Away or Fischerspooner’s Emerge, for it was
D uring the first half of the 80s, OMD were a regular presence in the upper reaches of the UK charts. Enola Gay, Souvenir, Joan Of Arc and Maid Of Orleans (The Waltz Joan Of Arc) made the Top 10, whil
The onset of 1985 found Eurythmics in a commercial sweet spot as they rode a wave of successive hits on the global stage. It was barely two-and-a-bit years since Sweet Dreams (Are Made of This) in Jan
hen Soft Cell were art students at Leeds Polytechnic, Marc Almond wrote a song in the vein of Ziggy Stardust about a fictional band breaking up. Four years later, when Soft Cell had been informed by t
Theatre: The Lady from the Sea Bridge ...