Present perfect

Squeeze ’s songwriting duo are back in harness, toting a rock opera they wrote in the ’70s with an all-new album to come. Given their near-constant strife, it’s a miracle. But as they insist, “the thing that always brings us together is the songs…”

From The Bottom Of An Old Grandfather Clock (reissue, 2004) DEAD OCEANS

Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson

When Blur won four trophies at the BRIT Awards on 20 February 1995, the band changed forever. Britpop, or whatever you want to call that scene, had entered the mainstream. After the success of Parklif

It’s a joy watching our favourite singers or actors, but though we might admire them and enjoy the happiness they bring, do we ever give a thought as to how precarious the world of entertainment actua

Classic Pop’s team will only get one chance to celebrate our 100th issue, so we thought we’d take this opportunity to highlight some pivotal moments that have got us to this point. Many of you have be