Be yourself tonight eurythmics

The accessibility, affordability and portability of synthesizers in the late 70s had a profound effect on popular music, particularly in the UK, where the likes of Ultravox!, Gary Numan and OMD reshap

hen Soft Cell were art students at Leeds Polytechnic, Marc Almond wrote a song in the vein of Ziggy Stardust about a fictional band breaking up. Four years later, when Soft Cell had been informed by t

A few years ago, Charlie Burchill and Jim Kerr were interviewed for a BBC documentary about music’s messiest break-ups. Which may seem like an odd booking, given the pair’s famously adamantine bond. B

D uring the first half of the 80s, OMD were a regular presence in the upper reaches of the UK charts. Enola Gay, Souvenir, Joan Of Arc and Maid Of Orleans (The Waltz Joan Of Arc) made the Top 10, whil

Wilco dynamo’s fifth solo LP is a wildly eclectic triple that celebrates collective creativity and freedom.

Of course Trevor Horn is a genius. But part of Horn’s talent is in seeing ideas through to their maximum potential. And this gigantic boxset of possibly the ultimate 80s album reveals how the initial