The lemonheads love chant fire

A few years ago, Charlie Burchill and Jim Kerr were interviewed for a BBC documentary about music’s messiest break-ups. Which may seem like an odd booking, given the pair’s famously adamantine bond. B

D uring the first half of the 80s, OMD were a regular presence in the upper reaches of the UK charts. Enola Gay, Souvenir, Joan Of Arc and Maid Of Orleans (The Waltz Joan Of Arc) made the Top 10, whil

hen Soft Cell were art students at Leeds Polytechnic, Marc Almond wrote a song in the vein of Ziggy Stardust about a fictional band breaking up. Four years later, when Soft Cell had been informed by t

Wilco dynamo’s fifth solo LP is a wildly eclectic triple that celebrates collective creativity and freedom.

The onset of 1985 found Eurythmics in a commercial sweet spot as they rode a wave of successive hits on the global stage. It was barely two-and-a-bit years since Sweet Dreams (Are Made of This) in Jan

As fanfares go, few match the NME’s for It Bites’ Calling All The Heroes, released in the summer of 1986. “I knew it would be a hit,” Len Brown trumpeted, summarising the song’s appeal. “The perfect i